This is probably everyone’s favorite roundup. Let’s see if this one yields any helpful insights, shall we?
I did not include unfinished and abandoned projects here. I don’t usually bother taking pictures of those (not just because I’m too upset). Let me note that in addition to the misses I’ve also had quite a few failures: fabric wasted or destroyed, false starts, unwearable results. Most of those got recycled somehow or at least thrown at the bottom of the ever-expanding scrap bag.
The projects featured here weren’t necessarily complete misses but their flaws have sent them to a dark corner of the closet.
#1 Polka dot Maya top with lots of unnecessary and distracting tweaks
Those polka dots hate me. It took me surprisingly long to see that, even though I’ve never been all that fond of polka dots… I definitely don’t dislike them on others but in my own case I really need to stop trying to make “fetch” happen.
The pattern itself — Maya by Marilla Walker — is fine. I made a top from it earlier that I like and wear pretty often; I’d definitely like to make another one. The fabric is fine, too: it’s rayon.
The jury’s still out on those pants (New Look 6459). Right now there’s just one top I like them with. (And it’s definitely not the one in the photo!)
Possible solution to my woes: dye it solid black.
#2 Plantain/Tonic tee in a fabric that’s too thick for a short-sleeve tee
That’s the problem in a nutshell. I wore that top once and realized that the fabric is really better suited either for a long-sleeve winter tee or a pullover.
Sadly, I only bought enough fabric for a short-sleeve tee.
I’m wondering whether there are any solutions for this one. The one that comes to my mind is cut it up and see if I can sew up a tee for a friend’s kid.
This is the only photo I have of this top. It’s from Me-Made May (that’s why there’s a number in the corner). The skirt is the Veronika circle skirt from Megan Nielsen, sewn in 2015. I still like it but, unfortunately, I’ve um, filled out a bit too much to wear it.
#3 Mesa knit shift from Seamwork, or, the learning curve of adjustments
This one is a mix of good things and bad things. I do wear it — usually with black tights and a long cardigan — but the fit issues do bug me.
As a muslin of sorts I made a top version that was an utter failure (and did not get photographed). That one helped me discover that the neckline was too wide and droopy to be wearable. I redrafted it.
What it did not let me discover — probably because I didn’t yet know enough about fitting my back –were the issues on the upper back and overall back length. I also missed the fact that the armhole needed raising by at least 1.5 cm.
On the dress version I was able to take out some length on the back by adding a central back seam, which I curved at the small of the back. But there’s still some excess fabric pooling there. The back ended up too narrow for comfortable movement. This ponte is fairly stretchy but not I would really need to redraw the armscye to give myself more fabric on the back.
Lessons learned: It’s a wearable dress, just not as pleasant to wear as I’d wish. And, yes, while I’ve had several great makes from Colette and Seamwork patterns, this is a pattern I’m not likely to make again. The unusable (for me at least) neckline and too big armscye bug me too much. The result of issues like those is that I’m using the Plantain tee pattern as a block for knit tees and dresses rather than giving other patterns a try — more on that soon.
#4 McCall’s 6891: a milestone project with a questionable fabric choice
This was a very important dress for me, not just because I cried a lot while making it, which is documented on this blog.
I’m glad I stuck with it and kept hacking away at the pattern until I altered the back to fit me. It’s not exactly fun to discover how much your shape differs from the one that the pattern was drafted for. It is, in fact, similar to the discomfort of not fitting into an RTW size that you think should work for you. The redrawn lines of the pattern take some getting used to.
Being able to move your arms in a dress definitely makes up for all that.
So what’s the real “miss” in this one?
For one, I left myself very little ease in the waist. So when I gained a little weight and effectively went up a clothing size, the dress no longer fit comfortably.
But the more serious problem is the poly/cotton I made it in. The cheap fabric choice was intentional — this was my first stab at the pattern and I did anticipate fit issues. The interfaced buttonholes on the skirt never pressed well, unfortunately, and I think this design really calls for a softer drape, though with some body. I think it would work really well in a crepe.
Solutions? I could let out the side seams a bit, but I think I’ll leave it as is.
Resolutions? Make again, in a crepe, and size up.
#5 Abstract Anna dress, or, the trials of a bias-cut neckline
Again, that’s the issue right there. I did wear this dress a lot in the summer, probably exacerbating the neckline problem.
But I like that I let myself make it roomier — this dress has helped me rethink ease and room for movement in garments even further. And it’s a fun dress in this unusual print. The fabric, by the way, is one of the good ones from Joann Fabrics.
Solutions? Well, I stabilized that neckline with some fusible tape in a desperate attempt to stop the drooping. Too little, too late, not a real solution but will have to do in a pinch.
Lessons learned: Stabilize bias-cut necklines at the cutting stage. Stay-stitching is not enough. I should write that down in all caps and put up on the wall above my sewing machine.
All these misses and hits have led to some deep thoughts about what and how I want to sew in 2017, which I hope to write up next week. As you can see, resolutions are not exactly a priority. And don’t let them drive you crazy either.
I wish you all a great 2017 with a fantastic beginning. Cheers!